DISCOURSE: THE STAMP OF A MASTER – Newspaper
The first time I stood beneath the ceiling of the Sadequain Gallery at Frere Hall, I could not look away. Arz-o-Samawat [The Earth and the Heavens] was Sadequain’s most ambitious mural and possibly his largest. His demise in 1986 left the mural permanently unfinished, and the empty blue space that remains gives the work a…