Interlocking silhouettes and bold lines shape Keith Haring’s signature style. In his own words: “It was made for lots of people. You don’t have to know anything about art to appreciate it.” “I would describe his work as graphic, as fun, as direct, as appealing,” said Austen Bailly, a curator at Crystal Bridges Museum of…
Just south of downtown Los Angeles, there’s something new, something that looks like it came from a galaxy far, far away. No, it’s not the next Millennium Falcon; this 300,000-square-foot building is the Lucas Museum of Narrative Art, where more than 1,300 pieces of art are on display. An aerial view of the 300,000-sq.-ft. Lucas…
As a young girl taking out a box containing toy soldiers from her dad’s dresser drawer, Elizabeth Connolly was just curious, not trying to unearth a little-known piece of history. “I would go in and I would play with them, and I would set them all up on the floor,” she said. But tucked in…
The first time I stood beneath the ceiling of the Sadequain Gallery at Frere Hall, I could not look away. Arz-o-Samawat [The Earth and the Heavens] was Sadequain’s most ambitious mural and possibly his largest. His demise in 1986 left the mural permanently unfinished, and the empty blue space that remains gives the work a…
